Some Kind of Connection: Loss and Technology in the Films of Sophy Romvari

I initially connected with Sophy Romvari through Twitter about two years ago, after seeing her lyrical short film It’s Him. Since then, I have watched almost all of her films and have been consistently fascinated by the ways that she hybridizes cinematic modes and genres. Her filmography exhibits strong visual aptitude and raises complex questions about the divisions between filmic truth and representation. Sophy and I have chatted sporadically, touching on everything from M. Night Shyamalan to documentaries to the connections between genre and trauma, and I am always curious to hear her ideas about cinema and the creative process. After recently watching In Dog Years, a moving reflection on death and the powerful connections between human and nonhuman animal friends, I reached out to Sophy asking if she would be interested in doing an interview about her work. The conversation below is transcribed from our e-mail exchanges.

Read the full interview in Vague Visages.

Darkest Hours author Mike Thorn talks to Josiah Morgan about writing, genre and influences

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Josiah Morgan and I have been online acquaintances for several years, bonding initially over our mutual passion for film. I recently read his debut poetry collection Inside the Castle and was stunned by its formal sophistication, thematic complexity and breadth of reference. I sent him a message asking if he would like to publish a chat with me about writing, genre and influences, and he kindly agreed.

Our conversation is now available to read on Kendall Reviews.

Guest Appearance by Mike Thorn on English Major YOU

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An English major can be a complex and confusing thing. Join Elias, Jaclyn, and Mike on English Major YOU to hear their stories on how to obtain and put an English major to good work. They talk about the important communication and analysis skills that the major will teach, and how those skills can be applied professionally.

Listen here.

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