Dissolved Boundaries: Kathe Koja and Mike Thorn in Cinematic Dialogue
To celebrate the release of Dark Factory, Mike Thorn and Kathe Koja sat down to discuss cinema, literature, the creative process and more.
The Fiddlehead: Mike Thorn Reviews David Folster’s Discovering the Movies in New Brunswick
“David Folster’s posthumously published Discovering the Movies in New Brunswick offers a journalistic and intentionally wandering study of its title province’s cinematic history. Spanning the late nineteenth to early twenty-first centuries, the book comprises a dense collection of esoterica, six-degrees-of-separation links, margin notes, and coincidences, all centered in a locale not customarily associated with film history (the province of New Brunswick).”
Pre-order SHATTERED & SPLINTERED (featuring new Mike Thorn story “The Events”)
Mike Thorn’s new realist academic horror story, “The Events”, will be included in Shattered & Splintered (edited by James Sabata and Laurel Hightower) alongside fiction by Gwendolyn Kiste, Cynthia Pelayo, Stephen Graham Jones, Eric LaRocca, Hailey Piper, Gabino Iglesias, and others. All proceeds go to The Glen Haven Area Volunteer Fire Department, a critical part of the emergency response community throughout Larimer County in Colorado that provides emergency response to the Glen Haven community and the entire Estes Valley.
“Numbness and Arousal in the Post-Postmodern Apocalypse of Too Old to Die Young” (Vague Visages)
“Bound up in taboo fetishism and constantly oscillating commitments between the base and the transcendent, and between comedy and horror (much like Lynch’s Twin Peaks: The Return), Too Old to Die Young uses its genre-codified landscape of moral corruption as an allegorical mirror for America’s crumbling civilization, and as a space for a far-reaching aesthetic study of eroticism and violence in art. Putting itself in conversation with the cinematic genre signifiers most loudly established by Alfred Hitchcock’s oneiric, perverse California masterpiece Vertigo (1958), Too Old to Die Young constantly scrutinizes the wavering spaces where the tawdry mingles with the sublime, where sexual (re)productivity entangles with morbidity and destruction.”
Limited time offer: Get a signed copy of PEEL BACK AND SEE, SHELTER FOR THE DAMNED, or DARKEST HOURS: EXPANDED EDITION
I’m selling signed copies of all my books (limited; while supplies last)! I can take payment through PayPal or e-transfer. Email mikethorn@live.com if interested. Prices (including shipping):
PEEL BACK AND SEE
Canada: $25 CAD/$20 USD
US: $30 CAD/$25 USD
Int: $35 CAD/$30 USD
SHELTER FOR THE DAMNED
Canada: $26 CAD/$21 USD
US: $31 CAD/$26 USD
Int: $36 CAD/$31 USD
DARKEST HOURS: EXPANDED EDITION
Canada: $27 CAD/$22 USD
US: $32 CAD/$27 USD
Int: $37 CAD/$32 USD
Calm and Chaos: An Interview with Rebeccah Love by Mike Thorn (In Review Online)
Preceded by Ripe, Parlour Palm, and A Woman’s Block, Eve’s Parade is filmmaker Rebeccah Love’s final entry in a quartet of films depicting women who struggle against societal expectations, fall into madness, and recover with the help of neighbours. The first three films in this quartet have played through TIFF, VIFF, FNC, and CBC; been featured in the Montreal Gazette, the Psychiatric Eye (the Royal College of Psychiatry’s quarterly publication, UK); and premiered alongside talks by CAMH’s Chief Psychiatrists. In May, Love has been invited to deliver talks in London and Cambridge, UK through the NHS and residents’ associations about her creative depictions of psychosis and her vision for community crisis care.
Eve Parade will premiere on April 16 at the Paradise Theatre in Toronto. Author and film critic Mike Thorn sat down with Love to discuss her political and artistic visions, aesthetics, and form in Eve’s Parade, and her quartet’s various thematic concerns.
Mike Thorn 