
As Her Private Hell hits U.S. theaters, Mike Thorn sat down with Nicolas Winding Refn to discuss Her Private Hell, the unconscious, fantasy, the process of artistic exploration, and more.
Author | Critic

As Her Private Hell hits U.S. theaters, Mike Thorn sat down with Nicolas Winding Refn to discuss Her Private Hell, the unconscious, fantasy, the process of artistic exploration, and more.

In this interview, we chat with Caroline Bicks about combatting AI in the classroom, words clanging on readers’ ears, the uniquely portable magic of fiction, and so much more.
Caroline Bicks is the author of several academic books, including Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England. After she was named the University of Maine’s inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by Stephen King to his private archive. In her most recent book, Monsters in the Archives: My Year of Fear with Stephen King, Bicks documents her exploration of King’s early drafts and hand-written revisions, and her conversations with King about those changes. Her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency. She is the co-host of the Everyday Shakespeare podcast.
Books, plays, stories, and poems mentioned in this episode:

In this interview, we chat with Luke Francis Beirne about literature versus entertainment, Atlantic Canadian textures, a literary marriage proposal, and so much more.
Luke Francis Beirne was born in Ireland in 1995 and now lives on Wolastoqey land in Saint John, New Brunswick. Beirne has published three novels with Baraka Books: Foxhunt, Blacklion, and Saints Rest. His stories, essays, and reviews have appeared in outlets such as Counterpunch, NB Media Co-op, Hamilton Arts & Letters, Honest Ulsterman, and CrimeReads.
Books mentioned in this episode:

Listen to Craftwork Episode 29: Gut Feelings, Sonic Recursion, & Raspberry Cordial w/ Cassidy McFadzean.
In this interview, we chat with Cassidy McFadzean about skewing prepositions, trusting the reader, opting for vibes over plot, and so much more.
Cassidy McFadzean is the author of three books of poetry, most recently Crying Dress (House of Anansi, 2024). Her fiction has appeared in Joyland, The Walrus, Hazlitt, and Dead Writers (Invisible Publishing, 2025). Cassidy was born in Regina, earned an MFA in poetry from the Iowa Writers’ Workshop, an MFA in fiction from Brooklyn College, and now lives in Toronto. She was the 2024-2025 Writer-in-Residence at Sheridan College, and is the 2025-2026 Poet-in-Residence at Arc Poetry Magazine.
Books mentioned in this episode:

Listen to Craftwork Episode 28: Earthy Language, Scary Cupids, & Lunar Portrayals w/ Michael Wehunt.
In this interview, we chat with Michael Wehunt about the administrative side of professional writing, the unanticipated weirdness of public selfhood, the “moment before the moment”, and so much more.
Michael Wehunt has been a finalist for the Bram Stoker Award, multiple Shirley Jackson Awards, and the International Association for the Fantastic in the Arts’ Crawford Award. In Spain, his translated works have garnered nominations for the Premio Ignotus and Premio Amaltea, winning the latter. He haunts the woods of Decatur, Georgia, with his partner and their dog. Together, they hold the horrors at bay. Most recently, he is the author of the novels The October Film Haunt and Nightjars.
Books and poems mentioned in this episode:

“Stand by Me finds its thematic core in the friendship between Gordie and Chris, who both perform masculine toughness to protect their mutually innate sensitivity.”

“I propose that horror literature, by definition, hinges on this vexed dialectic, between the affective destruction of thought and the creative process of thought (specifically, of cognizing the incognizable: the supernatural, the numinous, the unseen, the illegible). Within this dialectic, the horror writer oscillates between helpless prey to horror and the creative agent of horror.”

In this interview, we chat with Daniel Braum about exploring the ecology of the supernatural, finding inspiration in liminal spaces, cultivating a sense of awe, and so much more.
Daniel Braum writes short stories that explore the tension between the psychological and the supernatural. He intentionally adopts the term “strange tales” for his “Twilight Zone-like stories in homage to author Robert Aickman and the intentional ambiguities of his work. His latest collection is Phantom Constellations: Strange Tales and Ghost Stories from Cemetery Dance Publications (2025). His stories appear in places ranging from The Best Horror of the Year Volume 12, edited by Ellen Datlow, and Shivers 8, edited by Richard Chizmar.
Books and stories mentioned in this episode:
Listen to Craftwork Episode 26: Sculpture, Anaphora, & Writing by Hourglass w/ Hajer Mirwali.

In this interview, we chat with Hajer Mirwali about cross-disciplinary work, embodied writing, poetic mad libs, and so much more.
Hajer Mirwali is a Palestinian and Iraqi writer living in Toronto. Her first book, Revolutions (Talonbooks, 2025), is a collection of poetry on shame, pleasure, and Arab Muslim girlhood. Two poems from the collection also appear in an anthology of Palestinian poetry called Heaven Looks Like Us (Haymarket Books, 2025). Hajer’s work has been published in The Ex-Puritan, Brick Magazine, Room Magazine, and Joyland. She has an MFA in Creative Writing from the University of Guelph, and a BA in Creative Writing from York University.
Books mentioned in this episode: