Cinema
“Hostel: Part II and the Monster of Neoliberal Late-Capitalism.” The Film Stage, 8 June 2017.
“‘No Desire If It’s Not Forbidden’: Dread, Eroticism, and Text Messaging in Personal Shopper.” The Seventh Row, 30 March 2017.
“The Aesthetic and Formal Challenges of Jean-Luc Godard’s Contempt.” Vague Visages, 1 March 2017.
“Diary of the Dead and George A. Romero’s Formal Self-Awareness.” The Film Stage, 14 February 2017.
“The Many Peculiar Virtues of Wes Craven’s My Soul to Take.” Vague Visages, 7 February 2017.
“Moments of Revelation in Martin Scorsese’s Silence and Shutter Island.” Vague Visages, 31 January 2017.
“Genre Trauma in M. Night Shyamalan’s Split.” MUBI Notebook, 23 January 2017.
“What I Learned from Martin Scorsese’s Life Lessons.” Vague Visages, 4 January 2017.
“Toxic Masculinity and Empathetic Comedy: Martin Scorsese’s Alice Doesn’t Live Here Anymore.” Vague Visages, 3 January 2017.
“The Way of the Future: The Connections Between Martin Scorsese’s Raging Bull and The Aviator.” Vague Visages, 2 January 2017.
“James Benning’s Stemple Pass: Minimalist Horror for Trump’s America.” Vague Visages, 19 December 2016.
“George Lucas’s Wildest Vision: Retrofuturist Auteurism in Star Wars Episode II: Attack of the Clones (2002).” Bright Lights Film Journal, 15 November 2016.
“Experimenting with the Horrific: A Reappraisal and Retrospective of the Films of Tobe
Hooper.” Bright Lights Film Journal, 6 October 2016.
“Don’t Breathe, Just Keep on Surviving.” Bright Lights Film Journal, 8 September 2016.
“The Horror of a Nation’s Despair: Rob Zombie’s 31.” Bright Lights Film Journal, 4 September 2016.
“Star Wars Episode III: Revenge of the Sith: George Lucas’s Greatest Artistic Statement?” Bright Lights Film Journal, 28 August 2016.
“M. Night Shyamalan’s Terror Trilogy: Signs (2002), The Village (2004), and The Happening (2008).” Bright Lights Film Journal, 22 August 2016.
“The Relocation of Monstrosity: An Analysis of Horror in Brian De Palma’s Carrie.” Mount Royal Undergraduate Humanities Review, vol. 1.1, 2013.
Review of I’m Still Here, directed by Casey Affleck. Beatroute, 1 October 2010.
Review of Let Me In, directed by Matt Reeves. Beatroute, 1 October 2010.
Review of The Misfortunates, directed by Felix Van Groeningen. Beatroute, 1 June 2010.
Review of Precious, directed by Lee Daniels. Beatroute, 1 December 2009.
Review of The Fourth Kind, directed by Olatunde Osunsanmi. Beatroute, 1 November 2009.
Music
“Common as Light and Love Are Red Valleys of Blood: Some Thoughts from a Mark Kozelek Fan.” Vague Visages, 22 February 2017.
