Cinema

Cinema
Re-Fear: Halloween (2007) / Halloween II (2009) by Rob Zombie (with Nathan Smith)Cinematary. 31 October 2018.

Eli Roth Replaces Trademark Irreverence with Quiet Reverence for The House with a Clock in Its Walls. Vague Visages. 2 October 2018.

Mike Thorn returns to Kendall Reviews to share his favourite horror films from the 2000sKendall Reviews. 22 June 2018.

The Digital Perverse: Dario Argento’s Dracula 3DVague Visages. 13 February 2018.

Star Wars Dialogue: V. ‘Revision.’ (with Chelsea Phillips-Carr, Neil Bahadur, Isiah Medina and Isaac Goes). MUBI Notebook. 19 January 2018.

Star Wars Dialogue: IV. ‘The Griffith Legacy.’ (with Chelsea Phillips-Carr, Neil Bahadur, Isiah Medina and Isaac Goes). MUBI Notebook. 18 January 2018.

Star Wars Dialogue: III. ‘Art and Technology.’ (with Chelsea Phillips-Carr, Neil Bahadur, Isiah Medina and Isaac Goes). MUBI Notebook. 17 January 2018.

Star Wars Dialogue: II. ‘Avant-Garde vs. Classical.’ (with Chelsea Phillips-Carr, Neil Bahadur, Isiah Medina and Isaac Goes). MUBI Notebook. 16 January 2018.

Star Wars Dialogue: I. ‘A Long Time Ago.’ (with Chelsea Phillips-Carr, Neil Bahadur, Isiah Medina and Isaac Goes). MUBI Notebook. 15 January 2018.

Notebook’s 10th Writers Poll: Fantasy Double Features of 2017MUBI Notebook. 31 December 2017.

The Last Jedi: Enjoying Corporate Cinema’s Quasi-Risks While They LastBright Lights Film Journal. 25 December 2017.

Vague Visages Writers’ Room: 2017’s Under the Radar FilmsVague Visages. 12 December 2017.

Mike Thorn’s 10 favourite horror films from the 2010sKendall Reviews. 11 December 2017.

Underrated ’97 – Mike ThornRupert Pupkin Speaks, 1 December 2017.

Vague Visages Writers’ Room: Favorite Halloween MoviesVague Visages, 31 October 2017.

Andy Muschietti’s It Struggles with AdaptationVague Visages, 11 September 2017.

Hostel: Part II and the Monster of Neoliberal Late-CapitalismThe Film Stage, 8 June 2017.

No Desire If It’s Not Forbidden’: Dread, Eroticism, and Text Messaging in Personal Shopper.” The Seventh Row, 30 March 2017.

The Aesthetic and Formal Challenges of Jean-Luc Godard’s ContemptVague Visages, 1 March 2017.

Diary of the Dead and George A. Romero’s Formal Self-AwarenessThe Film Stage, 14 February 2017.

The Many Peculiar Virtues of Wes Craven’s My Soul to TakeVague Visages, 7 February 2017.

Moments of Revelation in Martin Scorsese’s Silence and Shutter IslandVague Visages, 31 January 2017.

Genre Trauma in M. Night Shyamalan’s SplitMUBI Notebook, 23 January 2017.

What I Learned from Martin Scorsese’s Life LessonsVague Visages, 4 January 2017.

Toxic Masculinity and Empathetic Comedy: Martin Scorsese’s Alice Doesn’t Live Here AnymoreVague Visages, 3 January 2017.

The Way of the Future: The Connections Between Martin Scorsese’s Raging Bull and The AviatorVague Visages, 2 January 2017.

James Benning’s Stemple Pass: Minimalist Horror for Trump’s AmericaVague Visages, 19 December 2016.

George Lucas’s Wildest Vision: Retrofuturist Auteurism in Star Wars Episode II: Attack of the Clones (2002)Bright Lights Film Journal, 15 November 2016.

Experimenting with the Horrific: A Reappraisal and Retrospective of the Films of Tobe
HooperBright Lights Film Journal, 6 October 2016.

Don’t Breathe, Just Keep on SurvivingBright Lights Film Journal, 8 September 2016.

The Horror of a Nation’s Despair: Rob Zombie’s 31Bright Lights Film Journal, 4 September 2016.

Star Wars Episode III: Revenge of the Sith: George Lucas’s Greatest Artistic Statement? Bright Lights Film Journal, 28 August 2016.

M. Night Shyamalan’s Terror Trilogy: Signs (2002), The Village (2004), and The Happening (2008)Bright Lights Film Journal, 22 August 2016.

The Relocation of Monstrosity: An Analysis of Horror in Brian De Palma’s CarrieMount Royal Undergraduate Humanities Review, vol. 1.1, 2013.

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