“Bound up in taboo fetishism and constantly oscillating commitments between the base and the transcendent, and between comedy and horror (much like Lynch’s Twin Peaks: The Return), Too Old to Die Young uses its genre-codified landscape of moral corruption as an allegorical mirror for America’s crumbling civilization, and as a space for a far-reaching aesthetic study of eroticism and violence in art. Putting itself in conversation with the cinematic genre signifiers most loudly established by Alfred Hitchcock’s oneiric, perverse California masterpiece Vertigo (1958), Too Old to Die Young constantly scrutinizes the wavering spaces where the tawdry mingles with the sublime, where sexual (re)productivity entangles with morbidity and destruction.”
Mike Thorn 