
“Thorn has a cutthroat ability to reel you in, a writing style so sharp and penetrating that it threatens to tear you open, layer by layer … Shelter for the Damned felt like the lovechild of Barker and King.”
Read the full review.
Author | Critic

“Thorn has a cutthroat ability to reel you in, a writing style so sharp and penetrating that it threatens to tear you open, layer by layer … Shelter for the Damned felt like the lovechild of Barker and King.”
Read the full review.

“Thorn’s debut novel is an insight into male violence, the sloppily-hidden depths of suburbia, and the isolation of abuse. It’s not typically what you would find in the pages of a horror novel about teenage boys and a deadly, abandoned shack, but it’s the subtleties of Thorn’s narrative that keep the story moving along so quickly.”

“Thorn’s writing brings a literary element to the horror genre. His descriptions are vivid and realistic. He tends toward psychological horror rather than a gorefest. Not to say there isn’t gore, but Thorn treats it tastefully.”

“Dealing with themes of familial tension, coming of age growing pains, and an otherworldly darkness creeping into ‘safe’ suburban lives, Thorn shows his skill as a story teller, a character builder, and an adept horror writer.”

“Shelter for the Damned is suburban coming-of-age horror with shades of Stephen King, Lovecraft, and the movie Brainscan.”

“One thing the book understands very well are how the most innocuous childhood memories can twist into a terrifying shape. Adults have forgotten – or are too consumed by their adult lives to think about – these horrors, except maybe, very, very, late at night. Thorn’s work invokes both childhood fears and those late-night moments when existential dread sinks its teeth into you as an adult and suddenly, you remember how helpless you still are.”

“Thorn proved himself a master storyteller in his previous short story collection Darkest Hours. In Shelter for the Damned he further underscores that talent, creating a tale that is both immediately gripping while instilling an insidious dread in his reader.”