Peel Back and See reviewed on Stranger Sights
“I think the central theme here is that we are peeling back the layers of society, and of humanity, to see what lies beneath – and it ain’t pretty.”
Mike Thorn reviews Twixt (In Review Online)
“The film’s lush, otherworldly dreamscapes foreground the theme of time by contrasting contemporary film technology against the aesthetics of Gothic pasts. Coppola fills Baltimore’s nocturnal visions with Expressionist gestures: tilted crosses and jagged shadows summon the ghosts of Murnau, Wiene, and Lang.”
Mike Thorn reviews Never Let Go (In Review Online)
“Director Alexandre Aja’s latest film, Never Let Go, occupies a deliberately liminal space. Its threadbare plot suggests a post-apocalyptic near future, but its central family is stuck in a Gothic past.”
Mike Thorn reviews The Soul Eater (In Review Online)
“Bustillo and Maury have demonstrated once again that horror contains multitudes, and it doesn’t need to play arthouse dress-up to indicate as much. Horror’s philosophical and aesthetic merits have always already been there: all one needs to do is look.”
Mike Thorn reviews House of Sayuri (In Review Online)
“Sayuri makes overtures to the cultural anxieties underlying many haunted house narratives, with several lines pointedly alluding to what constitutes a ‘happy life.’ An early scene depicts a teacher asking her disinterested class to analyze a poem by posing questions such as ‘Where do we find happiness?’ and ‘What exactly is happiness?’ The film ultimately disavows the notion that domestic ownership equals anything like existential fulfillment or familial harmony. It locates horror in the conformist embrace of cultural repetitions, depicting its haunting as something like a tape stuck in a loop: the same ghostly giggle echoes through the house again and again, haunted TVs replay snippets of glitchy footage, and one character repeatedly watches the simulated reenactment of her beloved’s grisly death.”
Mike Thorn reviews Eli Roth’s Thanksgiving for In Review Online
“What sets Eli Roth apart from other contemporary American horror directors is his unique braiding of current issues with high genre literacy. This holds true for his latest effort, Thanksgiving, an anti-consumerist holiday giallo that traffics openly in reflexivity.”
María Teresa Morín reviews Un Refugio para los Condenados (Spanish translation of Shelter for the Damned)
“Sheds, nightmares, violence, family, friendship, addictions, sacrifices… A Shelter for the Damned, by Mike Thorn is a book with a frenetic pace that keeps you reading non-stop. That shows us the hells that the most perfect families can hide. That even hides a first love story between its pages. Which brings us three very different teenagers who will be involved in a nightmare from which it seems impossible to escape and which breaks our hearts. If you are looking for a horror reading that shocks you with its rawness, you have to give it a try.”
Mike Thorn 