Craftwork Episode 31: Shakespearean Themes, Wang WPS Mishaps, & Stephen King’s Revisions w/ Caroline Bicks

Listen to Craftwork Episode 31: Shakespearean Themes, Wang WPS Mishaps, & Stephen King’s Revisions w/ Caroline Bicks.

In this interview, we chat with Caroline Bicks about combatting AI in the classroom, words clanging on readers’ ears, the uniquely portable magic of fiction, and so much more.

Caroline Bicks is the author of several academic books, including Cognition and Girlhood in Shakespeare’s World and Midwiving Subjects in Shakespeare’s England. After she was named the University of Maine’s inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by Stephen King to his private archive. In her most recent book, Monsters in the Archives: My Year of Fear with Stephen King, Bicks documents her exploration of King’s early drafts and hand-written revisions, and her conversations with King about those changes. Her popular writing has appeared in the Modern Love column of the New York Times and McSweeney’s Internet Tendency. She is the co-host of the Everyday Shakespeare podcast.

Books, plays, stories, and poems mentioned in this episode:

  • The Wizard of Oz — L. Frank Baum  
  • I Know a Place: Rest Stop and Other Dark Detours — Nat Cassidy 
  • “Cherrylog Road” — James Dickey  
  • “The Boogeyman”; Carrie; Cell; “Children of the Corn”; Christine; Cujo; Danse Macabre; “The Dark Man”; The Dead Zone; Insomnia; It; “Jerusalem’s Lot”; Lisey’s Story; The Long Walk; Misery; Night Shift;  “Night Surf”; On Writing: A Memoir of the Craft; Pet Sematary; Rage; ‘Salem’s Lot; The Shining; The Stand; “Strawberry Spring” — Stephen King 
  • Bird by Bird: Some Instructions on Writing and Life — Anne Lamott 
  • Edward II — Christopher Marlowe 
  • North Woods — Daniel Mason 
  • A Swim in the Pond in the Rain — George Saunders 
  • Hamlet; Henry IV, Part I; Henry IV; Part II; Henry V; Henry VI, Part I; Henry VI, Part II; Henry VI, Part III; Macbeth; Richard II; Richard III; Romeo and Juliet — William Shakespeare 
  • Charlotte’s Web — E. B. White 
  • Our Town — Thornton Wilder 
  • How Fiction Works — James Wood 

Craftwork Episode 30: Ghostwriting, Cold War Propaganda, & Coming Back from a Five-Week Coma w/ Luke Francis Beirne

Listen to Craftwork Episode 30: Ghostwriting, Cold War Propaganda, & Coming Back from a Five-Week Coma w/ Luke Francis Beirne.

In this interview, we chat with Luke Francis Beirne about literature versus entertainment, Atlantic Canadian textures, a literary marriage proposal, and so much more.    

Luke Francis Beirne was born in Ireland in 1995 and now lives on Wolastoqey land in Saint John, New Brunswick. Beirne has published three novels with Baraka Books: FoxhuntBlacklion, and Saints Rest. His stories, essays, and reviews have appeared in outlets such as CounterpunchNB Media Co-opHamilton Arts & LettersHonest Ulsterman, and CrimeReads

Books mentioned in this episode: 

  • Monsters in the Archives: My Year of Fear with Stephen King — Caroline Bicks 
  • The Last Thing He Wanted — Joan Didion 
  • The Quiet American — Graham Greene 
  • The Maltese Falcon — Dashiell Hammett 
  • The Outsiders — S. E. Hinton 
  • The Bamboo Blonde; In a Lonely Place — Dorothy B. Hughes 
  • Hatchet — Gary Paulsen 
  • How Fiction Works — James Wood

Craftwork Episode 29: Gut Feelings, Sonic Recursion, & Raspberry Cordial w/ Cassidy McFadzean

Listen to Craftwork Episode 29: Gut Feelings, Sonic Recursion, & Raspberry Cordial w/ Cassidy McFadzean.

In this interview, we chat with Cassidy McFadzean about skewing prepositions, trusting the reader, opting for vibes over plot, and so much more.   

Cassidy McFadzean is the author of three books of poetry, most recently Crying Dress (House of Anansi, 2024). Her fiction has appeared in JoylandThe WalrusHazlitt, and Dead Writers (Invisible Publishing, 2025). Cassidy was born in Regina, earned an MFA in poetry from the Iowa Writers’ Workshop, an MFA in fiction from Brooklyn College, and now lives in Toronto. She was the 2024-2025 Writer-in-Residence at Sheridan College, and is the 2025-2026 Poet-in-Residence at Arc Poetry Magazine.

Books mentioned in this episode:   

  • The Weak Spot — Lucie Elven 
  • Bird by Bird — Anne Lamott 
  • Slows: Twice — T. Liem 
  • Anne of Green Gables; Chronicles of Avonlea; Emily of New Moon; The Story Girl — Lucy Maud Montgomery 
  • Fever Dream — Samanta Schweblin 
  • Rock Crystal — Adalbert Stifter 
  • The Ice Palace — Tarjei Vesaas

Craftwork Episode 28: Earthy Language, Scary Cupids, & Lunar Portrayals w/ Michael Wehunt

Listen to Craftwork Episode 28: Earthy Language, Scary Cupids, & Lunar Portrayals w/ Michael Wehunt.

In this interview, we chat with Michael Wehunt about the administrative side of professional writing, the unanticipated weirdness of public selfhood, the “moment before the moment”, and so much more.   

Michael Wehunt has been a finalist for the Bram Stoker Award, multiple Shirley Jackson Awards, and the International Association for the Fantastic in the Arts’ Crawford Award. In Spain, his translated works have garnered nominations for the Premio Ignotus and Premio Amaltea, winning the latter. He haunts the woods of Decatur, Georgia, with his partner and their dog. Together, they hold the horrors at bay. Most recently, he is the author of the novels The October Film Haunt and Nightjars.  

Books and poems mentioned in this episode:   

  • Ancient Images; The Grin of the Dark; Incarnate — Ramsey Campbell 
  • Generation X: Tales for an Accelerated Culture — Douglas Coupland 
  • Poems 1962-2020 — Louise Glück 
  • Carrie — Stephen King 
  • Beings — Ilana Masad 
  • The God of the Woods; Long Bright River — Liz Moore 
  • Ghost Wall; Ripeness — Sarah Moss 
  • The Violent Bear it Away — Flannery O’Connor 
  • “Archaic Torso of Apollo” — Rainer Maria Rilke
  • Coffin Moon — Keith Rosson 

Craftwork Episode 27: Indie Publishing, Intentional Ambiguity, & the Tyranny of Structure w/ Daniel Braum

Listen to Craftwork Episode 27: Indie Publishing, Intentional Ambiguity, & the Tyranny of Structure w/ Daniel Braum.

In this interview, we chat with Daniel Braum about exploring the ecology of the supernatural, finding inspiration in liminal spaces, cultivating a sense of awe, and so much more.  

Daniel Braum writes short stories that explore the tension between the psychological and the supernatural. He intentionally adopts the term “strange tales” for his “Twilight Zone-like stories in homage to author Robert Aickman and the intentional ambiguities of his work. His latest collection is Phantom Constellations: Strange Tales and Ghost Stories from Cemetery Dance Publications (2025). His stories appear in places ranging from The Best Horror of the Year Volume 12, edited by Ellen Datlow, and Shivers 8, edited by Richard Chizmar.

Books and stories mentioned in this episode:  

  • Cold Hand in Mine — Robert Aickman  
  • The Artist’s Way — Julia Cameron 
  • Ancient Images; The Hungry Moon  — Ramsey Campbell 
  • “Plunged in the Years” — Jeffrey Ford 
  • “Children of the Corn” — Stephen King 
  • The Ceremonies — T. E. D. Klein 
  • Beginnings, Middles & Ends — Nancy Kress 
  • Dreams of Dark and Light — Tanith Lee 
  • Rosemary’s Baby; The Stepford Wives — Ira Levin 
  • Story — Robert McKee 
  • Conjunctions 83: The Ghost Issue — Joyce Carol Oates and Bradford Morrow, eds.
  • The Jaguar Hunter — Lucius Shepard 
  • Shadowland — Peter Straub 
  • Conjunctions 39: The New Wave Fabulists — Peter Straub, ed.
  • Harvest Home — Thomas Tryon 
  • The Writer’s Journey: Mythic Structure for Writers — Chris Vogler 

25 Favorite First-Time Reads of 2025

One per author, chronologically organized.

Northanger Abbey, by Jane Austen (1817)
The Moonstone, by Wilkie Collins (1868)
The Island of Dr. Moreau, by H. G. Wells (1896)
What Maisie Knew, by Henry James (1897; 1908 New York Edition)
The House of Souls, by Arthur Machen (1906)
Widdershins, by Oliver Onions (1911)
Summer, by Edith Wharton (1917)
Tales of the Jazz Age, by F. Scott Fitzgerald (1922)
The Maltese Falcon, by Dashiell Hammett (1930)
Strangers on a Train, by Patricia Highsmith (1950)
The Nothing Man, by Jim Thompson (1954)
A Severed Head, by Iris Murdoch (1961)
Aura, by Carlos Fuentes (1962)
Slouching Towards Bethlehem, by Joan Didion (1968)
Sula, by Toni Morrison (1973)
The Coherence of Gothic Conventions, by Eve Kosofsky Sedgwick (1980)
Bad Behavior, by Mary Gaitskill (1988)
Ancient Images, by Ramsey Campbell (1989)
Blonde, by Joyce Carol Oates (2000)
Border Crossing, by Pat Barker (2001)
These Truths: A History of the United States, by Jill Lepore (2018)
The Best of Both Worlds, by S. P. Miskowski (2020)
Hi, It’s Me, by Fawn Parker (2024)
Dark Matter, by Kathe Koja (2025)
Wreckage / What Happens in Hello Jack, by Peter Straub (2025)

Reading Like a Writer (online course through UNB Art Centre) [instructor: Mike Thorn]

Description:

Reading is arguably the most crucial practice for any serious writer. In this course, you will “reverse engineer” acclaimed short stories to determine how and why they work. You will use these stories as lenses into key aspects of effective fiction (dialogue, plotting, voice, character, etc.) The course will help you to identify the key features of various distinctive prose styles, and you will participate in guided writing exercises inspired by those styles.

Winter term:

Wednesdays, Feb. 11 to March 25 (6 weeks, no class March 4)
6:30 – 8 p.m.
$135 (+ HST)

Registration opens December 1.

Craftwork Episode 18: Ekphrasis, Sinuous Sentences, & the Logic of Sound w/ Sarah Bernstein

Listen to Craftwork Episode 18: Ekphrasis, Sinuous Sentences, & the Logic of Sound w/ Sarah Bernstein.

In this interview, we chat with Sarah Bernstein about contemplation, finding time for writing, capturing the rush of language, and so much more.

Sarah Bernstein is the author of two novels, The Coming Bad Days and Study for Obedience, which was shortlisted for the Booker Prize. She is from Montreal and lives in the Scottish Highlands.

Books and stories mentioned in this episode:

  • Hysteric; Whore – Nelly Arcan
  • Giovanni’s Room – James Baldwin
  • The Moonstone; The Woman in White – Wilkie Collins
  • “A Mown Lawn” – Lydia Davis
  • Shirley Jackson: A Rather Haunted Life – Ruth Franklin
  • The Book of Questions – Edmond Jabès
  • The Haunting of Hill House; “The Lottery”; The Sundial; We Have Always Lived in the Castle – Shirley Jackson
  • The Melancholy of Resistance – László Krasznahorkai
  • The Place of Shells – Mai Ishizawa
  • In the Wake: On Blackness and Being – Christina Sharpe
  • The House Next Door – Anne Rivers Siddons
  • The Door – Magda Szabó
  • Clean – Alia Trabucco Zerán

Craftwork Episode 16: Dream Journals, Imaginary Conversations, & Work-Life Balance w/ Fawn Parker

Listen to Craftwork Episode 16: Dream Journals, Imaginary Conversations, & Work-Life Balance w/ Fawn Parker.

In this interview, we chat with Fawn Parker about showing the reader around the room, finding the right tense, protecting your writing time, and so much more.

Fawn Parker is the author of five books including novels What We Both Know (M&S), nominated for the Giller Prize and Hi, It’s Me (M&S), nominated for the Writer’s Trust Atwood Gibson Prize, and the poetry collection Soft Inheritance, which was awarded the JM Abraham Atlantic Book Award and the Fiddlehead Poetry Book Prize. Her work has been published in The Walrus, Hazlitt, Literary Review of Canada, and elsewhere. Fawn is a PhD candidate at the University of New Brunswick and the Poet Laureate of Fredericton.

Books and stories mentioned in this episode:

  • The Edible Woman – Margaret Atwood
  • The Mountain and the Valley – Ernest Buckler
  • Libra – Don DeLillo
  • The Guest – Emma Cline
  • Attack of the Copula Spiders and Other Essays on Writing – Douglas Glover
  • “Experience” – Tessa Hadley
  • Ulysses – James Joyce
  • Rejection – Tony Tulathimutte
  • This All Happened – Michael Winter
  • How Fiction Works – James Wood
  • Mrs. Dalloway – Virginia Woolf

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