The co-hosts of the Sleazoids Podcast (Josh Lewis and Jamie Miller) invited to talk about two films of my choice. The rules: they both had to be genre films (preferably one relatively “known” film and one I considered under-appreciated) and they both had to be pre-2000 releases. I went with The Tingler (1959) and Corridors of Blood (1958).
Eli Roth Replaces Trademark Irreverence with Quiet Reverence for The House with a Clock in Its Walls
“At first glance, it’s difficult to situate The House with a Clock in Its Walls within director Eli Roth’s filmography. Following a politically reckless triptych that studied the implications of mass socialization through online platforms (The Green Inferno [2013], Knock Knock [2015] and Death Wish [2018]), this tonally scattershot kiddie Gothic seems almost to surface from nowhere. In some sense, it’s worthwhile to view the film completely on its own terms; but when dislocated from the rest of Roth’s ouevre, it offers little foundation for serious critical engagement. The film is flatly and almost numbingly pleasant. It’s over-designed but not to the point of genuine exuberance; occasionally amusing but never that funny; periodically stirring but by no means truly creepy; and unlike every one of its filmmaker’s preceding films, it moves through its entire runtime without ever straying near the territory of bad taste.”