Booklisti invited Mike Thorn to create a list. See his choices for Weirding the Gothic: Literary Horror Collisions.
Booklisti: “Weirding the Gothic: Literary Horror Collisions”
Craftwork S1E8: Obsession, Transgression, & the Library of Gestures w/ Maryse Meijer
Listen to Craftwork S1E8: Obsession, Transgression, & the Library of Gestures w/ Maryse Meijer.
In this interview, we chat with Maryse Meijer about metaphor, quotation marks, the dubious necessity of author photos, and so much more.
Maryse Meijer is the author of Heartbreaker, Rag, Northwood, and The Seventh Mansion. She lives in Chicago.
Books and stories mentioned in this episode:
- Samuel Beckett: A Biography – Deirdre Bair
- Waiting for Godot – Samuel Beckett
- About Schmidt – Louis Begley
- Autobiography of Red – Anne Carson
- New Grub Street – George Gissing
- The Children of the Dead; Greed; The Piano Teacher – Elfriede Jelinek
- Pet Sematary – Stephen King
- Bad Brains; The Cipher; Kink; Skin; Strange Angels – Kathe Koja
- The Communicating Vessels – Friederike Mayröcker
- All the Pretty Horses – Cormac McCarthy
- Hurricane Season; Paradais – Fernanda Melchor
- The Defense; Lolita – Vladimir Nabokov
- Black Water; Blonde; Heat; My Sister, My Love; “Where Are You Going, Where Have You Been?”; Zombie – Joyce Carol Oates
- With the Animals – Noëlle Revaz
- Snake Eyes – Rosamond Smith
- The Custom of the Country – Edith Wharton
Author Photo Credit: Lewis McVey
Mike Thorn’s Favorite First Reads of 2021
Bleedthrough and Other Small Horrors, by Scarlett R. Algee (2020)
The Flowers of Evil, by Charles Baudelaire [edited by Marthiel and Jackson Mathews, multiple editors] (1857)
The Unnamable, by Samuel Beckett (1953)
Selling the Splat Pack: The DVD Revolution and the American Horror Film, by Mark Bernard (2014)
The Brigadier and the Golf Widow, by John Cheever (1964)
On the Heights of Despair, by E. M. Cioran [translated by Ilinca Zarifopol-Johnston] (1933)
The Trouble with Being Born, by E. M. Cioran [translated by Richard Howard] (1973)
Porno Valley, by Philip Elliott (2021)
Less Than Zero, by Bret Easton Ellis (1985)
The Rules of Attraction, by Bret Easton Ellis (1987)
American Psycho, by Bret Easton Ellis (1991)
The Informers, by Bret Easton Ellis (1994)
Glamorama, by Bret Easton Ellis (1998)
Lunar Park, by Bret Easton Ellis (2005)
Imperial Bedrooms, by Bret Easton Ellis (2010)
The Shards, by Bret Easton Ellis (2021)
Carmilla, by J. Sheridan Le Fanu (1872)
The Queer Art of Failure, by J. Jack Halberstam (2011)
In the Presence of Schopenhauer, by Michel Houellebecq [translated by Andrew Brown] (2017)
Humanimus, by David Huebert (2020)
The Damned, by J. K. Huysmans [translated by Terry Hale] (1891)
The Europeans, by Henry James (1878)
Washington Square, by Henry James (1880)
The Bostonians, by Henry James (1886)
Ghost Stories, by Henry James (1898)
Billy Summers, by Stephen King (2021)
The Wingspan of Severed Hands, by Joe Koch (2020)
Straydog, by Kathe Koja (2002)
The Blue Mirror, by Kathe Koja (2004)
Dark Factory, by Kathe Koja (2022; forthcoming)
I’m from Nowhere, by Lindsay Lerman (2019)
Shock!, by Richard Matheson (1961)
The Birds and Other Stories, by Daphne du Maurier (1952)
The Running Trees, by Amber McMillan (2021)
The Seventh Mansion, by Maryse Meijer (2020)
Circles, by Josiah Morgan (2020)
The Barrens, by Joyce Carol Oates (2001)
1984, by George Orwell (1949)
White is for Witching, by Helen Oyeyemi (2009)
The World as Will and Representation, Volume I, by Arthur Schopenhauer [translated by Judith
Norman and Alistair Welchman] (1818)
Wes Craven: Interviews, edited by Shannon Blake Skelton (2019)
Of One Pure Will, by Farah Rose Smith (2019)
The Secret History, by Donna Tartt (1992)
A History of Touch, by Erin Emily Ann Vance (2022; forthcoming)
Miss Lonelyhearts, by Nathanael West (1933)
The Ax, by Donald E. Westlake (1997)
Today on This is Horror — Meet the Writer: Mike Thorn
What first attracted you to horror writing?
Reflecting on my earliest childhood encounters with horror, I remember being initially attracted to the genre’s visual iconography, above all else. It seems impossible to separate my desire to write horror from my interest in reading horror. These two things are inextricably bound.
Mike Thorn 