
“No sober person had any supernatural encounters. Nothing good happens after dark, so stay the F*** home. Oh, and mirrors are evil so get rid of them! Now!”
Author | Critic

“No sober person had any supernatural encounters. Nothing good happens after dark, so stay the F*** home. Oh, and mirrors are evil so get rid of them! Now!”

“In the short story notes, Thorn cites a lot of influences (both literary, musical and cinematic) that inform his work, but Thomas Ligotti seems to be a name that crops up throughout. While Darkest Hours covers a lot of the same themes (nihilism, anxiety, and the human condition), Thorn’s work approaches them in a far more mainstream and accessible way. Still, I think this says a lot about the prevailing tone of his work, and there are stories here that scared (‘Long Man’, ‘Sabbatical’), disturbed (‘The Auteur’, ‘Fear and Grace’) and disgusted (‘Fusion’) like few other collections have managed for me.”

“I was already a fan of his work, but the range he displays in this collection for both fiction and non-fiction writing is mind-boggling. I loved every word, and every creepy minute.”

“Highly recommended—whether Thorn is composing his own horror fiction or opining on horror cinema, he’s a gifted writer and craftsman of the written word, and I very much look forward to much more from him.”

This definitive edition includes:
• A foreword by Sadie Hartmann (Mother Horror)
• Author notes for all 16 original stories
• 17 essays on horror cinema
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