Craftwork Episode 32: Gothic Spaces, Familial Secrets, & Diasporic Perspectives w/ Dania Idriss

Listen to Craftwork Episode 32: Gothic Spaces, Familial Secrets, & Diasporic Perspectives w/ Dania Idriss

In this interview, we chat with Dania Idriss about representing human cruelty, finding creative nourishment in academic conferences, spending time in “writing jail”, and so much more.  

Dania Idriss (she/her) is a Lebanese-Canadian author and a doctoral candidate in the Department of English at the University of Calgary. She (currently) gratefully lives and works on the traditional territory of Treaty 7, with her writing focusing on global literatures, particularly Arabic speculative fiction. Her first book, a collection of horror stories titled Tales of the Mountains and the Sea, was released by Freehand Books in May 2026. Dania teaches speculative fiction and global literatures at the Alberta University of the Arts and the University of Calgary. She enjoys all things spooky, warm sweaters, and spending time with her bunny, Arlo.  

Books and stories mentioned in this episode: 

  • Human Sacrifices — María Fernanda Ampuero  
  • American War; One Day, Everyone Will Have Always Been Against This — Omar El Akkad 
  • The Woman in White — Wilkie Collins 
  • David Copperfield; Great Expectations; The Old Curiosity Shop — Charles Dickens 
  • The Haunting of Hill House; The Sundial; We Have Always Lived in the Castle — Shirley Jackson 
  • The Monk — Matthew Gregory Lewis 
  • Forgotten Journey; Thus Were Their Faces — Silvina Ocampo 
  • “Brokeback Mountain” — Annie Proulx 
  • Harry Potter series — J. K. Rowling 
  • Frankenstein — Mary Shelley 
  • Dracula — Bram Stoker 
  • “Hair” — Mike Thorn 
  • The Castle of Otranto — Horace Walpole 
  • Lolly Willowes — Sylvia Townsend Warner 

Craftwork Episode 28: Earthy Language, Scary Cupids, & Lunar Portrayals w/ Michael Wehunt

Listen to Craftwork Episode 28: Earthy Language, Scary Cupids, & Lunar Portrayals w/ Michael Wehunt.

In this interview, we chat with Michael Wehunt about the administrative side of professional writing, the unanticipated weirdness of public selfhood, the “moment before the moment”, and so much more.   

Michael Wehunt has been a finalist for the Bram Stoker Award, multiple Shirley Jackson Awards, and the International Association for the Fantastic in the Arts’ Crawford Award. In Spain, his translated works have garnered nominations for the Premio Ignotus and Premio Amaltea, winning the latter. He haunts the woods of Decatur, Georgia, with his partner and their dog. Together, they hold the horrors at bay. Most recently, he is the author of the novels The October Film Haunt and Nightjars.  

Books and poems mentioned in this episode:   

  • Ancient Images; The Grin of the Dark; Incarnate — Ramsey Campbell 
  • Generation X: Tales for an Accelerated Culture — Douglas Coupland 
  • Poems 1962-2020 — Louise Glück 
  • Carrie — Stephen King 
  • Beings — Ilana Masad 
  • The God of the Woods; Long Bright River — Liz Moore 
  • Ghost Wall; Ripeness — Sarah Moss 
  • The Violent Bear it Away — Flannery O’Connor 
  • “Archaic Torso of Apollo” — Rainer Maria Rilke
  • Coffin Moon — Keith Rosson 

New essay, “Plumbing the Depths: Haunted Writers and Haunted Writings,” in Nightmare Magazine

“I propose that horror literature, by definition, hinges on this vexed dialectic, between the affective destruction of thought and the creative process of thought (specifically, of cognizing the incognizable: the supernatural, the numinous, the unseen, the illegible). Within this dialectic, the horror writer oscillates between helpless prey to horror and the creative agent of horror.”

Read the full essay.

Craftwork Episode 27: Indie Publishing, Intentional Ambiguity, & the Tyranny of Structure w/ Daniel Braum

Listen to Craftwork Episode 27: Indie Publishing, Intentional Ambiguity, & the Tyranny of Structure w/ Daniel Braum.

In this interview, we chat with Daniel Braum about exploring the ecology of the supernatural, finding inspiration in liminal spaces, cultivating a sense of awe, and so much more.  

Daniel Braum writes short stories that explore the tension between the psychological and the supernatural. He intentionally adopts the term “strange tales” for his “Twilight Zone-like stories in homage to author Robert Aickman and the intentional ambiguities of his work. His latest collection is Phantom Constellations: Strange Tales and Ghost Stories from Cemetery Dance Publications (2025). His stories appear in places ranging from The Best Horror of the Year Volume 12, edited by Ellen Datlow, and Shivers 8, edited by Richard Chizmar.

Books and stories mentioned in this episode:  

  • Cold Hand in Mine — Robert Aickman  
  • The Artist’s Way — Julia Cameron 
  • Ancient Images; The Hungry Moon  — Ramsey Campbell 
  • “Plunged in the Years” — Jeffrey Ford 
  • “Children of the Corn” — Stephen King 
  • The Ceremonies — T. E. D. Klein 
  • Beginnings, Middles & Ends — Nancy Kress 
  • Dreams of Dark and Light — Tanith Lee 
  • Rosemary’s Baby; The Stepford Wives — Ira Levin 
  • Story — Robert McKee 
  • Conjunctions 83: The Ghost Issue — Joyce Carol Oates and Bradford Morrow, eds.
  • The Jaguar Hunter — Lucius Shepard 
  • Shadowland — Peter Straub 
  • Conjunctions 39: The New Wave Fabulists — Peter Straub, ed.
  • Harvest Home — Thomas Tryon 
  • The Writer’s Journey: Mythic Structure for Writers — Chris Vogler 

Craftwork Episode 26: Sculpture, Anaphora, & Writing by Hourglass w/ Hajer Mirwali

Listen to Craftwork Episode 26: Sculpture, Anaphora, & Writing by Hourglass w/ Hajer Mirwali.

In this interview, we chat with Hajer Mirwali about cross-disciplinary work, embodied writing, poetic mad libs,  and so much more.  

Hajer Mirwali is a Palestinian and Iraqi writer living in Toronto. Her first book, Revolutions (Talonbooks, 2025), is a collection of poetry on shame, pleasure, and Arab Muslim girlhood. Two poems from the collection also appear in an anthology of Palestinian poetry called Heaven Looks Like Us (Haymarket Books, 2025). Hajer’s work has been published in The Ex-PuritanBrick MagazineRoom Magazine, and Joyland. She has an MFA in Creative Writing from the University of Guelph, and a BA in Creative Writing from York University.

Books mentioned in this episode:  

  • Trust Exercise — Susan Choi 
  • The Butterfly’s Burden — Mahmoud Darwish 
  • Junie B. Jones series — Barbara Park 
  • Who by Fire; Who by Water — Greg Rhyno 
  • Harry Potter series — J. K. Rowling 

25 Favorite First-Time Reads of 2025

One per author, chronologically organized.

Northanger Abbey, by Jane Austen (1817)
The Moonstone, by Wilkie Collins (1868)
The Island of Dr. Moreau, by H. G. Wells (1896)
What Maisie Knew, by Henry James (1897; 1908 New York Edition)
The House of Souls, by Arthur Machen (1906)
Widdershins, by Oliver Onions (1911)
Summer, by Edith Wharton (1917)
Tales of the Jazz Age, by F. Scott Fitzgerald (1922)
The Maltese Falcon, by Dashiell Hammett (1930)
Strangers on a Train, by Patricia Highsmith (1950)
The Nothing Man, by Jim Thompson (1954)
A Severed Head, by Iris Murdoch (1961)
Aura, by Carlos Fuentes (1962)
Slouching Towards Bethlehem, by Joan Didion (1968)
Sula, by Toni Morrison (1973)
The Coherence of Gothic Conventions, by Eve Kosofsky Sedgwick (1980)
Bad Behavior, by Mary Gaitskill (1988)
Ancient Images, by Ramsey Campbell (1989)
Blonde, by Joyce Carol Oates (2000)
Border Crossing, by Pat Barker (2001)
These Truths: A History of the United States, by Jill Lepore (2018)
The Best of Both Worlds, by S. P. Miskowski (2020)
Hi, It’s Me, by Fawn Parker (2024)
Dark Matter, by Kathe Koja (2025)
Wreckage / What Happens in Hello Jack, by Peter Straub (2025)

Augur 8.3 includes “Chlorophilia”, a new short story by Mike Thorn and Miriam Richer

What do you desire from the natural world? For millions of years, we’ve been shaped and reshaped by the environment around us. If technology has the power to mimic lush lands and blue waters, how do we bond if we can’t tell what is real or not—or worse, does it even matter? In this issue, we journey through galaxies where love knows no bounds, nature that heals, wild hearts to be untamed, plants that lust.

Read Augur 8.3.

Reading Like a Writer (online course through UNB Art Centre) [instructor: Mike Thorn]

Description:

Reading is arguably the most crucial practice for any serious writer. In this course, you will “reverse engineer” acclaimed short stories to determine how and why they work. You will use these stories as lenses into key aspects of effective fiction (dialogue, plotting, voice, character, etc.) The course will help you to identify the key features of various distinctive prose styles, and you will participate in guided writing exercises inspired by those styles.

Winter term:

Wednesdays, Feb. 11 to March 25 (6 weeks, no class March 4)
6:30 – 8 p.m.
$135 (+ HST)

Registration opens December 1.

Craftwork Episode 25: Braided Essays, Collective Solitude, & the Objective Correlative w/ Kasia Van Schaik

Listen to Craftwork Episode 25: Braided Essays, Collective Solitude, & the Objective Correlative w/ Kasia Van Schaik.

In this interview, we chat with Kasia Van Schaik about reverse outlining, asking “what if”, sublimating emotion through landscape, and so much more.  

Kasia Van Schaik is the author of the Giller Prize-nominated story collection We Have Never Lived on Earth and the forthcoming book of memoir and cultural criticism, Women Among Monuments. With Myra Bloom, she is the co-editor of the essay collection, Shelter in Text: Essays on Dwelling and Refuge. Kasia’s writing has appeared in Electric Literature, the LA Review of Books, Room, The Rumpus, the Best Canadian Poetry, and the CBC. Kasia holds a PhD in literature from McGill University and is assistant professor of English and co-director of Creative Writing at the University of New Brunswick in Fredericton, Wolastoqiyik territory. 

Books mentioned in this episode:  

  • Wuthering Heights — Emily Brontë 
  • The Secret Garden — Frances Hodgson Burnett  
  • Autobiography of Red — Anne Carson 
  • Boyhood; Youth; Summertime — J. M. Coetzee 
  • Outline; Transit; Kudos — Rachel Cusk 
  • The Days of Abandonment; the Neapolitan Quartet — Elena Ferrante 
  • “The Robber Bridegroom” — Brothers Grimm 
  • Sweet Days of Discipline — Fleur Jaeggy 
  • Lucy — Jamaica Kincaid 
  • Her Body and Other Parties — Carmen Maria Machado 
  • Housekeeping — Marilynne Robinson 
  • Rings of Saturn — W. G. Sebald 
  • Flights — Olga Tokarczuk 

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