Tag: Joyce Carol Oates

100 Favorite Horror Books: October 2025 Edition

Continuing a new annual tradition. Titles organized by author name.

Hawksmoor, by Peter Ackroyd (1989)
Dark Entries, by Robert Aickman (1964)
We Are Here to Hurt Each Other, by Paula D. Ashe (2022)
This Mortal Coil, by Cynthia Asquith (1947)
The Damnation Game, by Clive Barker (1985)
Tender is the Flesh, by Agustina Bazterrica (2017; 2020 translation by Sarah Moses)
The Listener and Other Stories, by Algernon Blackwood (1907)
The Scarf, by Robert Bloch (1947/1966)
Something Wicked This Way Comes, by Ray Bradbury (1962)
Long After Midnight: 22 Hauntings and Celebrations, by Ray Bradbury (1976)
Wieland; or, The Transformation: An American Tale, by Charles Brockden Brown (1798)
Ancient Images, by Ramsey Campbell (1989)
The King in Yellow, by Robert W. Chambers (1895)
The Juniper Tree, by Barbara Comyns (1985)
The Breaking Point, by Daphne du Maurier (1959)
Don’t Look Now, by Daphne du Maurier (1971)
The Between, by Tananarive Due (1995)
The Pines, by Robert Dunbar (1989)
American Psycho, by Bret Easton Ellis (1991)
Lunar Park, by Bret Easton Ellis (2005)
I Have No Mouth & I Must Scream, by Harlan Ellison (1967)
The Collector, by John Fowles (1963)
Aura, by Carlos Fuentes (1962; 1986 translation by Lysander Kemp)
Something Stirs, by Charles L. Grant (1991)
Red Dragon, by Thomas Harris (1981)
Twice-Told Tales, by Nathaniel Hawthorne (1837)
The House of the Seven Gables, by Nathaniel Hawthorne (1851)
The Woman in Black, by Susan Hill (1983)
The House on the Borderland, by William Hope Hodgson (1908)
The Private Memoirs and Confessions of a Justified Sinner, by James Hogg (1824)
The Damned, by Joris-Karl Huysmans (1891)
The Lottery and Other Stories, by Shirley Jackson (1949)
Hangsaman, by Shirley Jackson (1951)
The Sundial, by Shirley Jackson (1958)
The Haunting of Hill House, by Shirley Jackson (1959)
We Have Always Lived in the Castle, by Shirley Jackson (1962)
Ghost Stories of Henry James, by Henry James (2008, edited by Martin Schofield)
Ghost Stories of an Antiquary, by M. R. James (1904)
Blood Secrets, by Craig Jones (1978)
Uzumaki, by Junji Ito (2000; 2013 translation by Yuji Oniki)
The Girl Next Door, by Jack Ketchum (1989)
The Red Tree, by Caitlín R. Kiernan (2009)
Carrie, by Stephen King (1974)
‘Salem’s Lot, by Stephen King (1975)
The Shining, by Stephen King (1977)
Cujo, by Stephen King (1981)
Pet Sematary, by Stephen King (1983)
It, by Stephen King (1986)
Full Dark, No Stars, by Stephen King (2010)
And Her Smile Will Untether the Universe, by Gwendolyn Kiste (2017)
The Ceremonies, by T. E. D. Klein (1984)
The Cipher, by Kathe Koja (1991)
Bad Brains, by Kathe Koja (1992)
Skin, by Kathe Koja (1993)
Conjure Wife, by Fritz Leiber (1943)
The Fifth Child, by Doris Lessing (1988)
Rosemary’s Baby, by Ira Levin (1967)
The Stepford Wives, by Ira Levin (1972)
The Monk: A Romance, by Matthew Gregory Lewis (1796)
Songs of a Dead Dreamer and Grimscribe, by Thomas Ligotti (2015)
The Hounds of Tindalos, by Frank Belknap Long (1946)
Tales of H. P. Lovecraft, by H. P. Lovecraft (2007, edited by Joyce Carol Oates)
The House of Souls, by Arthur Machen (1906)
Burnt Offerings, by Robert Marasco (1973)
The Beetle, by Richard Marsh (1897)
I Am Legend, by Richard Matheson (1954)
Shock!, by Richard Matheson (1961)
Melmoth the Wanderer, by Charles Robert Maturin (1820)
Child of God, by Cormac McCarthy (1973)
Toplin, by Michael McDowell, (1985)
Heartbreaker, by Maryse Meijer (2016)
The Seventh Mansion, by Maryse Meijer (2020)
Strange is the Night, by S. P. Miskowski (2017)
Beloved, by Toni Morrison (1987)
Zombie, by Joyce Carol Oates (1995)
Jack of Spades, by Joyce Carol Oates (2015)
Widdershins, by Oliver Onions (1911)
Selected Writings of Edgar Allan Poe, by Edgar Allan Poe (1956, edited by Edward H. Davidson)
The Mysteries of Udolpho, by Ann Radcliffe (1794)
Interview with the Vampire, by Anne Rice (1976)
Traplines, by Eden Robinson (1996)
The Subjugated Beast, by R. R. Ryan (1938)
The Room, by Hubert Selby Jr. (1971)
The Demon, by Hubert Selby Jr. (1976)
New Stories from the Twilight Zone, by Rod Serling (1965)
Frankenstein; or, the Modern Prometheus, by Mary Shelley (1818)
The House Next Door, by Anne Rivers Siddons (1978)
The Dark Eidolon and Other Fantasies, by Clark Ashton Smith (2014, edited by S. T. Joshi)
Strange Case of Dr. Jekyll and Mr. Hyde, by Robert Louis Stevenson (1886)
Dracula, by Bram Stoker (1897)
Julia, by Peter Straub (1975)
Ghost Story, by Peter Straub (1979)
Koko, by Peter Straub (1988)
Houses without Doors, by Peter Straub (1990)
The Other, by Thomas Tryon (1971)
Ghosts, by Edith Wharton (1937)
The Picture of Dorian Gray, by Oscar Wilde (1890)
The Island of Doctor Moreau, by H. G. Wells (1896)
The Invisible Man, by H. G. Wells (1897)
The Sailor Who Fell from Grace with the Sea, by Yukio Mishima (1963)

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Craftwork S1E10: Weird Tales, Uncanny Dolls, & Creative Breakthroughs w/ Lisa Tuttle

Listen to Craftwork S1E10: Weird Tales, Uncanny Dolls, & Creative Breakthroughs w/ Lisa Tuttle.

In this interview, we chat with Lisa Tuttle about genre history, the ideal protagonist, Harlan Ellison’s writing advice, and so much more.

Lisa Tuttle was born and raised in Austin, Texas, and moved to Britain in the 1980s. Her first novel, Windhaven, co-written with George R.R. Martin, was followed by over a dozen fantasy, science fiction, and horror novels, including three recent books set in the 1890s combining crime and supernatural fiction, featuring the detective duo Jasper Jesperson and Miss Lane; the third volume, The Curious Affair of the Missing Mummies, was published last year. She has also written hundreds of award-winning short stories collected in several volumes, including A Nest of Nightmares, The Dead Hours of the Night, and most recently, Riding the Nightmare. She is the author of The Encyclopedia of Feminism (1986) and currently writes a monthly science fiction review column for The Guardian. She lives with her husband and their daughter in Scotland.

Book and stories mentioned in this episode:

  • The Saint of Bright Doors – Vajra Chandrasekera
  • Shirley Jackson: A Rather Haunted Life – Ruth Franklin
  • Hangsaman; The Haunting of Hill House; “The Lottery” – Shirley Jackson
  • The MANIAC; When We Cease to Understand the World – Benjamín Labatut
  • Biography of X – Catherine Lacey
  • The Seventh Mansion – Maryse Meijer
  • Babysitter; By the North Gate; They; The Wheel of Love – Joyce Carol Oates
  • The Bell Jar – Sylvia Plath
  • Lake of Darkness – Adam Roberts
  • Cryptonomicon; Polostan – Neal Stephenson

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Craftwork S1E8: Obsession, Transgression, & the Library of Gestures w/ Maryse Meijer

Listen to Craftwork S1E8: Obsession, Transgression, & the Library of Gestures w/ Maryse Meijer.

In this interview, we chat with Maryse Meijer about metaphor, quotation marks, the dubious necessity of author photos, and so much more.

Maryse Meijer is the author of Heartbreaker, Rag, Northwood, and The Seventh Mansion. She lives in Chicago.

Books and stories mentioned in this episode:

  • Samuel Beckett: A Biography – Deirdre Bair
  • Waiting for Godot – Samuel Beckett
  • About Schmidt – Louis Begley
  • Autobiography of Red – Anne Carson
  • New Grub Street – George Gissing
  • The Children of the Dead; Greed; The Piano Teacher – Elfriede Jelinek
  • Pet Sematary – Stephen King
  • Bad Brains; The Cipher; Kink; Skin; Strange Angels – Kathe Koja
  • The Communicating Vessels – Friederike Mayröcker 
  • All the Pretty Horses – Cormac McCarthy
  • Hurricane Season; Paradais – Fernanda Melchor
  • The Defense; Lolita – Vladimir Nabokov
  • Black Water; Blonde; Heat; My Sister, My Love; “Where Are You Going, Where Have You Been?”; Zombie – Joyce Carol Oates
  • With the Animals – Noëlle Revaz
  • Snake Eyes – Rosamond Smith
  • The Custom of the Country – Edith Wharton

Author Photo Credit: Lewis McVey

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Best first reads, 2023


I read 101 books in 2023. Here are my favorite first reads (pre-2023 releases only).

The top twenty are organized chronologically (I restricted myself to one per author). The rest are organized by authors’ last names.

Top twenty:

The House of the Seven Gables, by Nathaniel Hawthorne (1851)
Madame Bovary, by Gustave Flaubert (1856)
The Woman in White, by Wilkie Collins (1860)
Roderick Hudson, by Henry James (1875)
Tess of the D’Urbervilles, by Thomas Hardy (1891)
Ghost Stories of an Antiquary, by M. R. James (1904)
The House of Mirth, by Edith Wharton (1905)
The Listener and Other Stories, by Algernon Blackwood (1907)
The Subjugated Beast, by R. R. Ryan (1938)
Native Son, by Richard Wright (1940)
The Hounds of Tindalos, by Frank Belknap Long (1946)
Gravity and Grace, by Simone Weil (1947)
The Road Through the Wall, by Shirley Jackson (1948)
Giovanni’s Room, by James Baldwin (1956)
The Wapshot Chronicle, by John Cheever (1957)
The Collector, by John Fowles (1963)
Julia, by Peter Straub (1975)
The House Next Door, by Anne Rivers Siddons (1978)
The Ceremonies, by T. E. D. Klein (1984)
Soul/Mate, by Joyce Carol Oates [as Rosamond Smith] (1989)
Paradais, by Fernanda Melchor (2021)

Other standouts:

Poetics, by Aristotle (335 BCE)
Inner Experience, by Georges Bataille (1943)
Weird Mysticism: Philosophical Horror and the Mystical Text, by Brad Baumgartner (2021)
Tender is the Flesh, by Agustina Bazterrica (2017)
The Empty House and Other Ghost Stories, by Algernon Blackwood (1906)
The Lure of the Unknown: Essays on the Strange, by Algernon Blackwood (2022)
Drop City, by T. C. Boyle (2003)
The Hungry Moon, by Ramsey Campbell (1986)
The Invention of Morel, by Adolfo Bioy Casares (1940)
The Wapshot Scandal, by John Cheever (1964)
Falconer, by John Cheever (1977)
Trust Exercise, by Susan Choi (2019)
A Short History of Decay, by E. M. Cioran (1949)
The Vet’s Daughter, by Barbara Comyns (1959)
The Juniper Tree, by Barbara Comyns (1985)
Americana, by Don DeLillo (1971)
The Names, by Don DeLillo (1982)
God Is Red: A Native View of Religion, by Vine Deloria Jr. (1972)
The Lost Daughter, by Elena Ferrante (2006)
The Magus, by John Fowles (1965)     
Veronica, by Mary Gaitskill (2005)                
The Great Derangement: Climate Change and the Unthinkable, by Amitav Ghosh (2016)
Skin Shows: Gothic Horror and the Technology of Monsters, by J. Jack Halberstam (1995)
Red Dragon, by Thomas Harris (1981)
Last Summer, by Evan Hunter (1968)
The Lottery and Other Stories, by Shirley Jackson (1949)
Hangsaman, by Shirley Jackson (1951)
The Bird’s Nest, by Shirley Jackson (1954)
Secret Windows: Essays and Fiction on the Craft of Writing, by Stephen King (2000)
The Ballad of Black Tom, by Victor LaValle (2016)
The Moral Essays, by Giacomo Leopardi (1832)
Hieroglyphics and Other Essays, by Arthur Machen (2022)
Burnt Offerings, by Robert Marasco (1973)
The Beetle, by Richard Marsh (1897)
A Century of Weird Fiction, 1832–1937: Disgust, Metaphysics, and the Aesthetics of Cosmic Horror, by Jonathan Newell (2020)
A Garden of Earthly Delights, by Joyce Carol Oates (1967)
Foxfire: Confessions of a Girl Gang, by Joyce Carol Oates (1993)
The Faith of a Writer: Life, Craft, Art, by Joyce Carol Oates (2003)
Jack of Spades, by Joyce Carol Oates (2015)
The Anthrobscene, by Jussi Parikka (2014)
Transcendental Style in Film: Ozu, Bresson, Dreyer, by Paul Schrader (1972)
EcoGothic, edited by Andrew Smith and William Hughes (2013)
The Dark Eidolon and Other Fantasies, by Clark Ashton Smith (2014)
Motley Stones, by Adalbert Stifter (1853)
Marriages, by Peter Straub (1973)
Koko, by Peter Straub (1988)
Sides, by Peter Straub (2007)
After Life, by Eugene Thacker (2010)
Fear and Nature: Ecohorror Studies in the Anthropocene, edited by Christy Tidwell and Carter Soles (2021)
A Billion Black Anthropocenes or None, by Kathryn Yusoff (2018)

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Mike Thorn’s Favorite First Reads of 2021

Bleedthrough and Other Small Horrors, by Scarlett R. Algee (2020)

The Flowers of Evil, by Charles Baudelaire [edited by Marthiel and Jackson Mathews, multiple editors] (1857)

The Unnamable, by Samuel Beckett (1953)

Selling the Splat Pack: The DVD Revolution and the American Horror Film, by Mark Bernard (2014)

The Brigadier and the Golf Widow, by John Cheever (1964)

On the Heights of Despair, by E. M. Cioran [translated by Ilinca Zarifopol-Johnston] (1933)

The Trouble with Being Born, by E. M. Cioran [translated by Richard Howard] (1973)

Porno Valley, by Philip Elliott (2021)

Less Than Zero, by Bret Easton Ellis (1985)

The Rules of Attraction, by Bret Easton Ellis (1987)

American Psycho, by Bret Easton Ellis (1991)

The Informers, by Bret Easton Ellis (1994)

Glamorama, by Bret Easton Ellis (1998)

Lunar Park, by Bret Easton Ellis (2005)

Imperial Bedrooms, by Bret Easton Ellis (2010)

The Shards, by Bret Easton Ellis (2021)

Carmilla, by J. Sheridan Le Fanu (1872)

The Queer Art of Failure, by J. Jack Halberstam (2011)

In the Presence of Schopenhauer, by Michel Houellebecq [translated by Andrew Brown] (2017)

Humanimus, by David Huebert (2020)

The Damned, by J. K. Huysmans [translated by Terry Hale] (1891)

The Europeans, by Henry James (1878)

Washington Square, by Henry James (1880)

The Bostonians, by Henry James (1886)

Ghost Stories, by Henry James (1898)

Billy Summers, by Stephen King (2021)

The Wingspan of Severed Hands, by Joe Koch (2020)

Straydog, by Kathe Koja (2002)

The Blue Mirror, by Kathe Koja (2004)

Dark Factory, by Kathe Koja (2022; forthcoming)

I’m from Nowhere, by Lindsay Lerman (2019)

Shock!, by Richard Matheson (1961)

The Birds and Other Stories, by Daphne du Maurier (1952)

The Running Trees, by Amber McMillan (2021)

The Seventh Mansion, by Maryse Meijer (2020)

Circles, by Josiah Morgan (2020)

The Barrens, by Joyce Carol Oates (2001)

1984, by George Orwell (1949)

White is for Witching, by Helen Oyeyemi (2009)

The World as Will and Representation, Volume I, by Arthur Schopenhauer [translated by Judith

Norman and Alistair Welchman] (1818)

Wes Craven: Interviews, edited by Shannon Blake Skelton (2019)

Of One Pure Will, by Farah Rose Smith (2019)

The Secret History, by Donna Tartt (1992)

A History of Touch, by Erin Emily Ann Vance (2022; forthcoming)

Miss Lonelyhearts, by Nathanael West (1933)

The Ax, by Donald E. Westlake (1997)

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Influences on Shelter for the Damned: Novels About Obsession (Guest Post on Where the Reader Grows)

Obsession is a primary driving force in Shelter for the Damned, as the novel’s protagonist, Mark, becomes intensely fixated on a shack he discovers in a suburban field. As the Shack begins revealing its weird sentience, Mark’s interest grows. His relationship to the Shack eventually becomes horrifically parasitic, evoking the nature of debilitating addiction.

While writing Shelter for the Damned, I was conscious of several other books focused on obsession and dependency. I was especially interested in novels that used first-person or quasi-omniscient style to depict their protagonists’ experiences. I have provided snapshots for some of the most overt influences on Shelter for the Damned below…

Read the guest post.

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Q&A with Mike Thorn on Hellnotes

  1. What authors influenced you growing up? Who are you reading now?

As a young kid, I was really excited by J. R. R. Tolkien, C. S. Lewis, and R. L. Stine. Discovering Stephen King as a preteen was a big deal, and the same goes for encountering Hubert Selby Jr. in my teens.

These days, I try to read as widely as possible. I’m currently making my way through Drawn Up from Deep Places, by Gemma Files, which is terrific. I was recently floored by two Henry James novels—The Portrait of a Lady and The Bostonians.

Read the full Q&A.

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