Mike Thorn joins Vince Midgard on The Dark Mind Podcast to discuss his recent novel Shelter for the Damned.
They discuss the themes and inspirations behind the book, including the exploration of the Jungian shadow and the ambiguity of supernatural versus psychological elements. They also touch on Thorn’s previous work, Darkest Hours, his podcast Craftwork, and his experiences as a writer. The conversation concludes with Thorn sharing his love for reading, the importance of maintaining a healthy lifestyle, and his upcoming projects.
In this interview, we chat with Lisa Tuttle about genre history, the ideal protagonist, Harlan Ellison’s writing advice, and so much more.
Lisa Tuttle was born and raised in Austin, Texas, and moved to Britain in the 1980s. Her first novel, Windhaven, co-written with George R.R. Martin, was followed by over a dozen fantasy, science fiction, and horror novels, including three recent books set in the 1890s combining crime and supernatural fiction, featuring the detective duo Jasper Jesperson and Miss Lane; the third volume, The Curious Affair of the Missing Mummies, was published last year. She has also written hundreds of award-winning short stories collected in several volumes, including A Nest of Nightmares, The Dead Hours of the Night, and most recently, Riding the Nightmare. She is the author of The Encyclopedia of Feminism (1986) and currently writes a monthly science fiction review column for The Guardian. She lives with her husband and their daughter in Scotland.
Book and stories mentioned in this episode:
The Saint of Bright Doors – Vajra Chandrasekera
Shirley Jackson: A Rather Haunted Life – Ruth Franklin
Hangsaman; The Haunting of Hill House; “The Lottery” – Shirley Jackson
The MANIAC; When We Cease to Understand the World – Benjamín Labatut
Biography of X – Catherine Lacey
The Seventh Mansion – Maryse Meijer
Babysitter; By the North Gate; They; The Wheel of Love – Joyce Carol Oates
This course will engage with horror literature’s legacies and unique capacities for catharsis, allegory, and personal expression. We will discuss what scares us and investigate the psychology of fear within the context of fiction, digging into the nuts-and-bolts processes of generating fear in the reader. We will explore the wide range of horror’s subgenres and aesthetic possibilities, looking at tropes, traditions, and metaphors as opportunities for creative openings rather than restrictions. We will discuss the importance of atmosphere, point-of-view, and convincing characterization. Drawing on insights and fiction by some of horror literature’s most important and exciting figures, we will dive into the genre with a focus on craft and technique.
Date: Tuesdays, Oct. 29 – Dec. 3 Time: 7-9 p.m. Location: Community Room (Charlotte Street Arts Centre) Length: Six week Cost: $15 Max. class size: 12
“Bustillo and Maury have demonstrated once again that horror contains multitudes, and it doesn’t need to play arthouse dress-up to indicate as much. Horror’s philosophical and aesthetic merits have always already been there: all one needs to do is look.”
“Sayuri makes overtures to the cultural anxieties underlying many haunted house narratives, with several lines pointedly alluding to what constitutes a ‘happy life.’ An early scene depicts a teacher asking her disinterested class to analyze a poem by posing questions such as ‘Where do we find happiness?’ and ‘What exactly is happiness?’ The film ultimately disavows the notion that domestic ownership equals anything like existential fulfillment or familial harmony. It locates horror in the conformist embrace of cultural repetitions, depicting its haunting as something like a tape stuck in a loop: the same ghostly giggle echoes through the house again and again, haunted TVs replay snippets of glitchy footage, and one character repeatedly watches the simulated reenactment of her beloved’s grisly death.”
In this interview, Craig Laurance Gidney talks about genre mashups, writing workshops, telling Mom which of your stories to avoid, and so much more.
Craig Laurance Gidney (he/him/his) is the author of Sea, Swallow Me & Other Stories; Skin Deep Magic: Stories; Bereft (a YA novella); and A Spectral Hue (a novel). He has been a Lambda Literary Finalist three times, was a Carl Brandon Parallax Award Finalist, and won the inaugural Joseph S. Pulver Sr. Award for Weird Fiction. The Nectar of Nightmares is his most recent collection. He lives in Washington, D.C.
Books and stories mentioned in this episode:
The Handmaid’s Tale – Margaret Atwood
Giovanni’s Room; Go Tell It on the Mountain; If Beale Street Could Talk – James Baldwin
Jonathan Strange & Mr. Norrell; Piranesi – Susanna Clarke
Dhalgren – Samuel R. Delany
The Corrections – Jonathan Franzen
The Uncanny – Sigmund Freud
A Ring of Endless Light; A Wrinkle in Time – Madeleine L’Engle
Black Light – Elizabeth Hand
The Complete Tales of Uncle Remus – Joel Chandler Harris
“The Golden Pot”; “The Sandman” – E. T. A. Hoffmann
Finnegan’s Wake – James Joyce
“Josephine the Singer, or the Mouse Folk” – Franz Kafka
Delirium’s Mistress – Tanith Lee
“The Outsider”; “The Rats in the Walls” – H.P. Lovecraft
“English computer scientist Tim Berners-Lee began dropping breadcrumbs toward the dark woods of the World Wide Web in 1989. He originally theorized the Web as a means of “universal access to a large universe of documents” that would combine three key components: hypertext, transmission control protocol, and a domain name system. His vision materialized in 1994, the “Year of the Web,” when websites began opening to the public. This development set the stage for the 21st century’s postmodern chaos — outsourced cognition leading to progress and disintegration in equal measures, facts and lies entangling in a collective frenzy of paranoia, rage, and disorientation.”
