
“I think the central theme here is that we are peeling back the layers of society, and of humanity, to see what lies beneath – and it ain’t pretty.”
Author | Critic

“I think the central theme here is that we are peeling back the layers of society, and of humanity, to see what lies beneath – and it ain’t pretty.”

Listen to Craftwork S1E9: Eavesdropping, Travel Writing, & Glasgow Kisses w/ Mark Anthony Jarman.
In this interview, we chat with Mark Anthony Jarman about hockey fiction, deadwood words, finding stories in newspaper clippings, and so much more.
Mark Anthony Jarman is the author of Touch Anywhere to Begin, Czech Techno, Knife Party at the Hotel Europa, My White Planet, 19 Knives, New Orleans Is Sinking, Dancing Nightly in the Tavern, and the travel book Ireland’s Eye. Burn Man, published in 2023 by Biblioasis, was an Editors Choice with the New York Times. He was an acquisitions editor for Oberon Press, and introduced many new writers through the Coming Attractions series. He is also the editor of Best Canadian Stories 2023. His novel Salvage King Ya! is on Amazon.ca’s list of 50 Essential Canadian Books and is the number one book on Amazon’s list of best hockey fiction. Widely published in Canada, the US, Europe, and Asia, Jarman is a graduate of the Iowa Writers’ Workshop, a Yaddo fellow, has taught at the University of Victoria, the Banff Centre for the Arts, and the University of New Brunswick. He is also co-editor of the literary journal CAMEL.
Book and poems mentioned in this episode:

Thorn’s session, Anthroposcream: Fiction Writing in the Climate Crisis, will explore the challenges of writing through environmental catastrophe, the relationships between humans and animals in ecologically tenuous times, and more.
The event will feature several other panels, as well as two VR films about climate change in Canada.

“Today’s story is about a man who returns home for a funeral, and after being faced with a repressed memory, things get a little… Tricky.”

“While his first collection was great fun, this one shows his growth as a writer, and I feel like a lot of these stories are going to stick with me for a long time. If you haven’t read Thorn’s work this is the perfect place to jump on. I can’t wait to read what he writes next.”
Read the full review on Final Women: Horror from a Woman’s Perspective.