
Listen to Mike Thorn’s new story “The Shape of Our Damnation” on episode 644 of Tales to Terrify.
Also included in the episode: A. M. Symes’ “Chipping Away.”
Author | Critic

Listen to Mike Thorn’s new story “The Shape of Our Damnation” on episode 644 of Tales to Terrify.
Also included in the episode: A. M. Symes’ “Chipping Away.”

Check out episode #3 of Craftwork, featuring William Ping. William talks with Mike Thorn and Miriam Richer about historical fiction, hauntology, Animal Crossing, and so much more.
William Ping is a novelist and journalist, born and raised in St. John’s. His debut novel Hollow Bamboo was published by HarperCollins in 2023 and was shortlisted for the Amazon.ca First Novel Award, the BMO Winterset Award, and the Thomas Raddall Atlantic Fiction Award as well as being longlisted for the Dublin Literary Award and the Stephen Leacock Medal for Humour. He has previously been published in ‘Us, Now,’ Hard Ticket and Riddle Fence. William is also known for his contributions to CBC News, where he can most often be heard reading the news.
Books mentioned in this episode:

In this interview, Randy Nikkel Schroeder talks about noir, character possession, Biblical frisson, and so much more. Listen here.
Randy Nikkel Schroeder is the author of Arctic Smoke (NeWest), Crooked Timber: Seven Suburban Faerie Tales (Green Magpie), and over fifty published short stories. In his spare time, he is professor of English, Languages, and Cultures at Mount Royal University.
Books mentioned in this episode:

On the first episode of Craftwork, guest Meghan Kemp-Gee talks about poetry, screenwriting, comics, and so much more.
Meghan is the author of The Animal in the Room (Coach House Books, 2023), as well as three poetry chapbooks, What I Meant to Ask, Things to Buy in New Brunswick, and More. She also co-created the webcomic Contested Strip, recently adapted as a graphic novel, One More Year. She is a PhD candidate at UNB and currently lives in North Vancouver BC.
Listen here.
Books mentioned in this episode:

Co-hosted by Mike Thorn and Miriam Richer this podcast will feature conversations with writers of all narrative genres about craft, technique, and process. Watch this space for updates. Follow on Twitter, Instagram, and Facebook.
Original music by Randy Nikkel Schroeder.

Check out the cover wraparound for Writers Retreat, edited by Scott McGregor and Harriet Everend (coming May 15 from January Ember Press).
Mike Thorn’s story “Method Writing”, about a rural research trip gone horrifically wrong, sits alongside new work from many great writers.

Mike Thorn was one of ~839 critics to participate in the 2023 Beyond Sight & Sound poll hosted by They Shoot Pictures, Don’t They?
Poll criteria: max. 100 films, none that received any votes for the 2022 Sight & Sound poll, minimum length of 1600 metres (5,200 ft / 58 mins. @ 24 FPS).

“The Canyons and The Counselor represent an America unmoored from its own self-aggrandizing mythologies — the capitalist dream as nightmare of anxiety and violence. The films are haunted by symbols rather than subjects, made nowhere clearer than in McCarthy’s naming The Counselor’s title protagonist (played by Michael Fassbender) after his profession — he is a nameless intermediary, a metaphor.”

Pre-2023 releases only, chronologically organized.
Top twenty
La Bête Humaine (Jean Renoir, 1938)
The Best Years of Our Lives (William Wyler, 1946)
Margie (Henry King, 1946)
Daisy Kenyon (Otto Preminger, 1947)
They Live by Night (Nicholas Ray, 1948)
Caught (Max Ophüls, 1949)
Lust for Life (Vincente Minnelli, 1956)
The Man Who Knew Too Much (Alfred Hitchcock, 1956)
See No Evil (Richard Fleischer, 1971)
Trilogy of Terror (Dan Curtis, 1975)
Mikey and Nicky (Elaine May, 1976)
Pauline at the Beach (Éric Rohmer, 1983)
A Better Tomorrow (John Woo, 1986)
Patty Hearst (Paul Schrader, 1988)
Jade (William Friedkin, 1995)
Nixon (Oliver Stone, 1995)
Stealing Beauty (Bernardo Bertolucci, 1996)
Romance (Catherine Breillat, 1999)
Ju-On: The Curse (Takashi Shimizu, 2000)
Universal Soldier: Day of Reckoning (John Hyams, 2012)
Other standouts
After Death (Yevgeni Bauer, 1915)
Satan’s Rhapsody (Nino Oxilia, 1917)
Warning Shadows (Arthur Robison, 1923)
A House Divided (William Wyler, 1931)
Safe in Hell (William A. Wellman, 1931)
Night at the Crossroads (Jean Renoir, 1932)
A Night on Bald Mountain (Claire Parker & Alexandre Alexeieff, 1933)
From Mayerling to Sarajevo (Max Ophüls, 1940)
The Letter (William Wyler, 1940)
The Woman in the Window (Fritz Lang, 1944)
The Ghost and Mrs. Muir (Joseph L. Mankiewicz, 1947)
The Woman on the Beach (Jean Renoir, 1947)
The Reckless Moment (Max Ophüls, 1949)
Stage Fright (Alfred Hitchcock, 1950)
Gentlemen Prefer Blondes (Howard Hawks, 1953)
French Cancan (Jean Renoir, 1955)
A Kiss Before Dying (Gerd Oswald, 1956)
Interlude (Douglas Sirk, 1957)
The H-Man (Ishirô Honda, 1958)
I Bury the Living (Albert Band, 1958)
The Flesh and the Fiends (John Gilling, 1960)
Allures (Jordan Belson, 1961)
X: The Man with the X-Ray Eyes (Roger Corman, 1963)
The Collector (William Wyler, 1965)
The Birthday Party (William Friedkin, 1968)
Secret Ceremony (Joseph Losey, 1968)
Claire’s Knee (Éric Rohmer, 1970)
The Last Run (Richard Fleischer, 1971)
Super Fly (Gordon Parks Jr., 1972)
Legacy of Satan (Gerard Damiano, 1974)
Night Moves (Arthur Penn, 1975)
The Haunting of Julia (Richard Loncraine, 1977)
The Pied Piper (Jiří Barta, 1986)
The Comfort of Strangers (Paul Schrader, 1990)
Def by Temptation (James Bond III, 1990)
Deep Cover (Bill Duke, 1992)
The Tempest (Stanislav M. Sokolov, 1992)
Green Snake (Tsui Hark, 1993)
Affliction (Paul Schrader, 1997)
Forever Mine (Paul Schrader, 1999)
In the Bedroom (Todd Field, 2001)
Auto Focus (Paul Schrader, 2002)
Innocence (Lucile Hadzihalilovic, 2004)
Universal Soldier: Regeneration (John Hyams, 2009)
Nas: Time is Illmatic (One9, 2014)
The Jinx: The Life and Deaths of Robert Durst (Andrew Jarecki, 2015)
Beware the Slenderman (Irene Taylor Brodsky, 2016)
Sick (John Hyams, 2022)
Tár (Todd Field, 2022)