Author | Critic
American Twilight: The Cinema of Tobe Hooper, the first comprehensive, academic, peer-reviewed study of Tobe Hooper’s oeuvre, includes Mike Thorn’s essay, “Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe Hooper’s Eaten Alive and Crocodile.”
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Like everything else I’ve written, my debut novel Shelter for the Damned draws inspiration from a wide array of sources. It was influenced by books, short stories, essays, personal memories and relationships, music, dreams, and cinema. I have always been interested in films focused on adolescent experience and suburban milieus (especially, but not exclusively, within the horror genre).
“Thorn’s debut novel is an insight into male violence, the sloppily-hidden depths of suburbia, and the isolation of abuse. It’s not typically what you would find in the pages of a horror novel about teenage boys and a deadly, abandoned shack, but it’s the subtleties of Thorn’s narrative that keep the story moving along so quickly.”
“I have curated two playlists that aim to capture the novel’s spirit, one with vocals and one without. The former playlist includes songs recorded in or before the year 2003, ranging from industrial and nu metal to hardcore and post-punk. Many of these tracks summon vivid personal memories from my teenage years. The second playlist, comprised of instrumental pieces (black metal interludes, dark ambient works, horror movie soundtracks, field recordings, and more) seeks to capture the novel’s dark atmosphere.”
“Thorn’s writing brings a literary element to the horror genre. His descriptions are vivid and realistic. He tends toward psychological horror rather than a gorefest. Not to say there isn’t gore, but Thorn treats it tastefully.”
“Dealing with themes of familial tension, coming of age growing pains, and an otherworldly darkness creeping into ‘safe’ suburban lives, Thorn shows his skill as a story teller, a character builder, and an adept horror writer.”
“Shelter for the Damned is suburban coming-of-age horror with shades of Stephen King, Lovecraft, and the movie Brainscan.”
“One thing the book understands very well are how the most innocuous childhood memories can twist into a terrifying shape. Adults have forgotten – or are too consumed by their adult lives to think about – these horrors, except maybe, very, very, late at night. Thorn’s work invokes both childhood fears and those late-night moments when existential dread sinks its teeth into you as an adult and suddenly, you remember how helpless you still are.”
Mike Thorn 